I upgraded from an NT1 to the K2 and wow what a difference. Its has high SPL, it's has multiple mic patterns and it's tube makes any source just work. I have tried to contact Rode several times both in the US and Australia with dismal amounts of success. The SPL specs are outstanding and I doubt the characteristic I describe would have passed the test at RODE. K2 has about the highest price a lot of musician can afford in their project studios, and a lot of pro studio owners too, before they dive into the $1000 plus range. This is a special microphone. Ok. What is a "hybrid" audio interface anyway? Then I got the K2 when it first came out. As a small project studio owner, I was searching for the one microphone that I could use on the most sources. $384.48. It went further. +$15.23 shipping. As long as Rode is still making this mic as good as they did 12 years ago, you won't regret purchasing one. I always like to remind potential purchasers that the paper spec tells you precious little about the sound of a mic, though it can help to establish how quiet or sensitive it is. Takes the brittle sound out of drums, and the essed-out sound out of the voice (though I actually like it for guitar and bass, seems to give it a bit of edge). After weeks of research, I decided to purchase the K2. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. I use it with a Presonus Eureka and it's giving me a great sound! I may end up buying another soon. I switched out the stock 6922 tube and put in an Amberex NOS tube--which brings out more clarity, warmth, and harmonic overtones in an already very nice mic. It is also excellent on acoustic guitar. My first mic -- the Rode K2 -- is still the most used mic in my studio. I finally had a chance to cut some vocal tracks with it a few weeks ago. The mic itself has no switches or other controls and the mic pattern is adjusted using a continuous rotary control on the power supply. The quoted sensitivity figure is -3dB (reference 1V/Pa) and the equivalent noise figure is just 10dBSPL (which means there's a signal-to-noise ratio of 81dB) — rather better than some solid-state mics, and a little quieter than the NTK. This mic has horrible mids and high ends. Win! I would have no hesitation in recommending this mic to anyone looking for a great, reasonably priced large diaphragm condenser mic for their studio. The one element I insisted on was Rode's benchmark non existent self noise. The K2 is incredible, I had recorded on a Friends NTK and it doesnt even compare, if your trying to decide between the two, spend the extra cash and get the K2 you WONT be dissapointed. For the price you cannot get a better condenser, period. I was lost for words, it sounded like heaven. Yay K2! Thank you for your request. The Rode K2 large diaphragm condenser microphone is absolutely the best mic that I've ever used for recording vocals, acoustic guitar, violin, ukulele, and djembe. There has been no hint of splat from any instruments that I have mic'ed/recorded, though I have not recorded any spitty/sloppy horns with it. As a vocal mic, the K2 sounds very classy indeed, and it has been deliberately engineered to be reminiscent of classic studio mics. But I do recommend that you invest in a new tube if you want to get the best sound for your buck. Rode you got my respect. But the best thing it has is a great great sound. Having saved $4200.00, I think I'll get some more gear! moments, but that's okay. This mic is def not a bargin for $700. Often times, these reviews are based on very short time trials, and not by individuals who really know what to listen for. I am very pleased with this mic. Buy Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package: Microphones - Amazon.com ✓ FREE DELIVERY possible on eligible purchases In my investigation, I liked the intimacy/detail of the mic compared to many others (even very renown/revered mics) and the sound being somewhat warm while capturing with CLARITY. I am a drummer and striving engineer so I'm far from an expert but to hear this mic on a vocal you don't have to be an expert to hear its potential. I've used them for everything: vocals, acoustic guitar, drum overheads, fiddle. The Rode K2 is a very accurate mic: so much so that I was surprised by the flatness of the response and lack of color. Clean source + clear mic + adept mic'ing = clean capture. The K2's internal valve can be replaced without any soldering.Photo: Mark EwingThe mic comes in a tough moulded RC2 plastic travel case of the type normally associated with power tools, and includes not only the shockmount and power supply, but also the necessary multi-pin XLR cable to connect it to the power supply. Maybe I just bought a bad one. There have been on occasion a singer that this mic wouldn't work with, due more or less to the singer's tone and projection rather than the mic itself. Rode have risen well above the bargain-basement dog fight that seems to be going on at the moment, so the K2 isn't the cheapest tube mic on the market by a long stretch, but … The Rode K2, however, at 700 just needs a bit of push to really stand out. (Not tried with female vocals, but I think that it is very good in all aspects). To learn more about our cookie policy, please check our Privacy Policy.