Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. Its unique acoustic properties are ideally suited to orchestral recordings. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound. Neumann’s first tube microphone after an almost 30-year-hiatus. Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KMS 104 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design. A reference class small diaphragm microphone with a consistent cardioid pattern, independent of frequency. The KMR 81 D complies to the AES 42 standard for digital microphones. Designed as a successor to the U 87, the U 89 was eventually recognized as a classic Neumann microphone in ist own right. A unique omnidirectional tube microphone, based on the legendary Neumann M 50 of the 1950s. Protect & clean your microphones especially for vocal and speech recordings. Like its predecessor, the TLM 67 is a workhorse with three polar patterns while its circuit produces tube-like saturation at high SPLs. The nickel TLM 170 R Multi-Pattern Large-Diaphragm Studio Condenser Microphone from Neumann is a large-diaphragm, multi-pattern condenser microphone and features FET 100 technology, a balanced, transformerless output stage, low self-noise, and an impressive dynamic range.. Five directional characteristics are selectable by means of a rotary switch. The choice was easily made that the Tlm 170 reproduced the sound of the Trumpet, Trombone and the Saxophone as they sounded in the room without coloration. The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. Neumann TLM 170R Large-diaphragm Condenser Microphone ... www.sweetwater.com. The System KM A/D is a modular microphone system for even the most demanding applications. Korte beschrijving. Thanks to its integrated pattern controls the USM 69 i does not require a dedicated power supply anymore but can be run off phantom power. Discover studio microphones, monitors and headphones made by Neumann. The tube microphone that defined the sound of the 1960s. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube. It ran on batteries or phantom power. Nonetheless it offers true Neumann quality, made in Germany. TLM 170 R UNCOLORED, LINEAR, FLEXIBLE. in speech applications. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard. The KMR 82 i is still in production! A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. Transformerless, switchable Studio Microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm. Neumann will be offering free detailed online seminars on the basics of microphone technology. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres. The U 87 is the standard microphone for speech and vocals. オークション The 'Neumann Bottle', the first ever mass produced condenser microphone. The capsule head KK 105 S uses a precision manufactured true condenser supercardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters. A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. The digital Version of Neumann’s acclaimed KH 120 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power. A miniature microphone with a detached amplifier. Jaarhuur. Miniature Microphone for Phantom Powering. High-resolution tri-amplified near-field monitor, optimized for midrange and a dry bass sound. Cheers. A handheld condenser microphone for pristine vocals on stage. The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. Neumann celebrates the anniversary of this studio legend with the U 87 Rhodium Edition – a spectacular creation that gives the U 87 an extra special look to celebrate its timeless achievement. Leverings en Retourbeleid policy In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required. Between 1963 and 1993 Neumann manufactured a great deal of mixing consoles for radio and film studios, television, theatres, concert halls and the recording industry. A short shotgun microphone, primarily designed for film dialogue. The AM 31’s innovative oil-damped direct drive ensured an extremely even rotation. The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Neumann HQ is based in Berlin, where the company will celebrate its 90th anniversary in 2018. Its high directivity makes the KM 185 an excellent problem solver for demanding applications such as drum recording. The capsule head KK 204 uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 2000/6000/9000 handheld transmitters and EW G4 300/500 wireless systems. The sound of our 1950s tube classics recreated with trouble free FET circuitry, State-of-the-art small diaphragm condenser microphone, Small size – big sound: Neumann’s most affordable large diaphragm microphone. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8. With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. The KU 81 cured this with capsules equalized for the diffuse-field. Darüber hinaus lässt sich die Richtcharakteristik über das optionale Netzteil N 248 auch ferngesteuert e… Rare is the recording – whether classical, rock or Pop, news broadcasts or radio dialogue – which doesn’t feature at least one Neumann microphone. I already got a really great advice from you some months ago for audio converter - for which I am still grateful for. A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. Slightly modified version of the RSM 190. Beschikbaarheid: In voorraad. The N7000 had comprehensive computer automation while the signal path remained analog. Its smooth and refined sound is as iconic as its elegant exterior design. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs. The KMF 4 i could operate on phantom power or batteries. Nonetheless it still required a dedicated power supply due to its remote pattern control. A long neck stage microphone for speeches and presentations. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules. アプリケーション: TLM 170 R コンデンサー マイクロフォンは、複数のポーラー パターンのラージ ダイヤフラム マイクロフォンです。 そのサウンドは、異なった個性をもつNeumann の他のマイクロ … Das TLM 170 R ist das vielleicht universellste Neumann-Mikrofon. The U 64 was a variant of the KM 64 small diaphragm microphone. By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. It combines technical excellence with the smoothness and flexibility of a large diaphragm capsule. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone. Neumann’s first small diaphragm microphone with selectable directional patterns (omni, cardioid, figure-8).