For example, let’s say I want to add some reverb to a drum loop to simulate the drums playing back in a room. As a side note, when processing in series, the order of the effects is quite important. I can morph a sound into unimaginably different new sounds with effect processing. So now that we have our snappy transients, let’s add more parallel processing to the mix. Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla. 2. Parallel processing can be achieved in Live using a variety of techniques. It’s the most wonderful time of the year for your plug-in folder. This technique makes the reverb duck in level whenever the Dry chain sounds. If you have any ideas or parallel racks you’d like to share with us, we’d love to hear about them! One chain contains a Utility device, which I’ll use to make the signal monaural by enabling the Mono button. Load Ableton’s Compressor device into the second Chain and mute the ‘Dry’ chain my clicking on the yellow speaker icon. Let’s try applying reverb to the drums again, but this time with an Audio Effect Rack and its parallel chains. Load in a drum loop of your choice – anything will work but softer acoustic drums can demo the process best. Here, a lead synth passes through Live’s Saturator device and followed by the Reverb. Parallel Processing in Live Parallel processing is a technique used to separate an audio input into different layers so that you can process those multiple signal paths independently. The synth sound will get distorted by the Saturator first. Mentorships with industry professionals let you access real-world insights and help you personalize your music education. We must create an additional chain to split the signal so we can apply proper parallel processing. What Are the Different Types of EQ and Filters? I sometimes like to layer my bass sounds by passing them through two parallel Audio Effect Rack chains. Create another chain for the dry signal by right-clicking or Command-Clicking (Mac) anywhere in the Chain List and selecting ‘Create Chain’ from the context menu. This feature gives you access to Live’s Mapping Browser, which allows you to make level changes. 7 Low End Mixing Tips That Will Improve Your Music, 808 Mixing Tips: How to Get Fat and Powerful 808 Bass, What is Multiband Compression and Why You Need It, How to Improve Your Mix with Field Recordings and Foley. Press play and slowly bring the volume of the ‘Compression’ chain up until the transients begin to be enhanced. Furthermore, Audio Effect Racks are extremely flexible. For example, using the parallel reverb rack example above, you can process the Wet chain further with some EQ or compression. EMAIL. I could potentially go on and on with other creative examples for using parallel Audio Effect Rack chains! Here are some fundamentals. In fact, we can process the same sound multiple times and with Ableton Live, within the same channel. 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In the run-up to the Swedish producer’s next album, Diving For Lost Treasure, he walks us through the emotive and upbeat single. One common approach is to feed audio to a chain of effects on a Return track using track Send controls. Another potential issue is that not every audio effect has a Dry/Wet control to begin with! Again, as it’s complimenting the signal and not overloading it, we’re free to go quite hard with our settings. Creating a Audio Effects Rack and Chain. Another approach is to simply use an audio effects Dry/Wet control to dial in the effect. etc. Again, this technique allows you to keep the punch and impact of the original. You can also assign Macro controls to a Push 2 or other MIDI controllers for intuitive hands-on control. This approach involves using a single instance of an audio signal and passing it through one or more effects that are inserted one after the other (in series) directly on the audio track. Moreover, you can set minimum and maximum levels for these Macro controls by clicking the Macro Map Mode button on the Rack’s Title Bar.